However, beyond f/5.6, this sharpness vastly improved, reaching impressive levels in the centre of the frame, and a good one at the edges. Ideal for travel, landscape photography, but for hardcore wildlife use this lens is simply not long enough, and because of its desighn it will not be able to work with a teleconverter. Sony FE 100-400mm f/4.5-5.6 GM OSS ($2,498): Highly recommended! This premium lens delivers superlative image quality, and dust/moisture resistance means consistently reliable performance. The best full-frame wide-angle lenses 1 of 3 Offering more than double the light gathering ability of the Sigma with its constant f/2.8 aperture, and a 15-30mm focal length that betters the Tokina at both ends of its range, this Tamron provides a 110°-71° angle-of-view. Sony Full Frame Lenses - Explore our high quality range of camera lenses. It employs Optical SteadyShot image stabilization, Silent AF and iris (aperture) drive important for movie capture and a 7-blade circular aperture for beautiful defocused backgrounds. The 9-blade fast F1.8 aperture delivers beautiful background defocus effects while the dust and moisture resistant design offers robust reliability. While some may see them as a specialist piece of equipment, there are very few genres of photography where the creative use of wide-angles hasn’t led to some of its most popular creations. Compare now. Full-frame lenses certainly are expensive and heavy compared to their crop-sensor counterparts, but you can buy lenses for your a7R IV and use them on your a6600 when need be. The Sony SEL24240 FE 24-240mm f/3.5-6.3 OSS is a solidly-built, large lens that towers over Sony full-frame cameras when fully extended. If you want to get the best sharpness, like using more compact lenses, star flares and old-fashioned zone focusing and the feeling of a mechanical focus ring, the Zeiss Loxia lenses are great choices for you. VAT) More product information. The Rokinon 35mm f/1.4 AS UMC Lens is a prime standard wide-angle lens designed for both full-frame and APS-C sized sensors; when used with an APS-C sensor the 35mm-equivalent focal length is 56mm. Sony Zeiss FE 55mm f/1.8 ($998): One of the sharpest lenses ever! The lens' focus and zoom rings sit either side of the distance window and, while not the smoothest to operate, they do allow precise control. The lens’ autofocus motor works in conjunction with Sony cameras’ AF systems for quick and precise focusing performance, and manual focus override is also available for more refined control. The Rokinon 18mm F1.8 AF Sony E is an affordable wide-angle prime lens for Sony cameras, but it isn't our favorite budget-friendly option. Excellent lens! With a fast constant aperture of f/2.8, the Tokina 16-28mm AT-X Pro FX makes stylishly shallow depths-of-field and faster low-light shutter speeds possible at a price that goes head-to-head with the Sigma 12-24mm. Sony FE 12-24mm f/4 G ($1,698): A uniquely designed and widest ultra wide-angle zoom lens! Set to 16mm the lens had some reasonably strong barrel distortion that's more noticeable than on the Sigma at the same length. With the shortest focal length available in the trio of lenses on test, the Sigma 12-24mm f/4.5-5.6 allows images to be captured with an extremely wide 122°-84.1° angle-of-view. Targeting sports, wildlife, and action shooters, this Sony FE 100-400mm f/4.5-5.6 GM OSS lens will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. Uniquely, switching between MF/AF is achieved through a one-touch focus clutch mechanism, controlled by snapping the focusing ring up and down. Attached with its metal mount, the lens is manufactured from a mixture of quality feeling metal and plastic parts. Offering unsurpassed rendering and bokeh, blazing AF, and extraordinary image stabilization performance, this Sony FE 70-200mm f/2.8 GM OSS lens is an excellent lens for Photojournalists, sports and wedding photographers. Constructed mainly from high quality plastics, it feels more rugged than the Tokina, and not dissimilar in terms of its build quality to the Sigma. Comprising 18 elements in 13 groups, the lens has nine diaphragm blades that control aperture, and features Tamron's BBAR (Broad-Band Anti-Reflection) and eBAND (Extended Bandwidth & Angular-Dependency) coatings to suppress reflections, ghosting and flare. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. More product information. At f/4.5 the lens put on a very good performance in terms of sharpness, particularly in the corners of the frame. From fisheye and telephoto to wide angle lenses, Sony has the Full Frame right lens for your occasion. The bright f/1.4 maximum aperture is well suited to controlling depth of field for selective focus imagery, and also suits working in low-light conditions. Only in terms of aperture and image stabilisation may this well-built lens leave some users wanting. One area where the 35mm f/1.4 out-performs the Nikon and Canon equivalents is sharpness. Rokinon AF 14mm f/2.8 FE Lens ($849): Great quality and a much better price than the native lenses. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. Sony FE 50mm f/1.8 ($248): The most affordable FE glass with great performance! We reviewed three of the best third-party models available to discover which offered the best combination of performance, features and value. Works great for both photo and video. All-in-One Lens | Macro Lenses | Portrait Lenses | Wide-angle Zoom Lenses | Wide-angle Prime Lenses | Ultra Wide Angle Prime Lenses | Standard Zoom Lenses | Standard Prime Lenses | Telephoto Zoom Lenses | Super Telephoto Zoom Lenses | Lens Optimized for Video | Manual Focus Lenses. Looking for recommended lenses for Sony full-frame mirrorless cameras (Sony a9, a7RIII, a7RII, a7SII,a7III a7II, a7R, a7S, a7)?Check it out! Great lens especially for travel and landscape: Superb images! Excellent lens! This compact and lightweight FE 70-300mm f/4.5-5.6 lens is super useful and versatile wth excellent sharpness throughout its range. For landscape photography, there are a lot of situations where you may want something wider than 28mm. The aperture of this lens goes from f/4 to f/22. At 28mm it is wide, but not ultrawide. In addition, the Sony FE 1.4x & FE 2.0x Teleconverters ($548) are specially designed for the Sony FE 70-200mm F2.8 GM & Sony FE 100-400mm f/4.5-5.6 GM OSS Lenses. The optic is shipped in a soft carrying case. With an aperture of f/2.8 there was softness across the frame, but the centre still offered a good level of sharpness. It features a very fast and bright f/1.8 maximum aperture to support working in dimly-lit conditions and for greater control over focus for shallow depth of field imagery. VAT no 918 5617 01, H Bauer Publishing are authorised and regulated for credit broking by the FCA (Ref No. Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. It is well-suited to working in a variety of situations ranging from … The ‘Distagon’ in its full name (Sony FE 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. $1,674.99. This lens is less than $239 on Amazon.com. Pairing a bright f/1.4 aperture with a short-telephoto focal length, this 85mm lens is ideally suited for portraiture and other situations where focus control is paramount. Sony Zeiss FE 50mm f/1.4 Planar T* ($1,498): High-performance 50mm prime lens featuring a large F1.4 maximum aperture with outstanding contrast and resolution that are hallmarks of the ZEISS brand. From sweeping landscape vistas to immersive in-situ portraiture, they open up opportunities for shots that simply couldn’t be captured in any other way. On an APS-C body this focal length is roughly equivalent to 23-45mm. Great sharpness at narrower apertures, Cons This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. MSRP $399.99 $296.61 at Amazon Sony FE 16-35mm f/2.8 GM Lens Sony's Best Ultra-Wide Zoom Lens The Sony FE 16-35mm f/2.8 GM Lens is the ultra-wide-angle zoom lens you want. 2.0 Rumored to Feature QFHD/120p 12Bit RAW Output via HDMI - Daily Camera News, 2020 Sony Black Friday Deals - Daily Camera News. Not as wide as rivals Well-suited to interior, architectural, and astrophotography applications, the Batis 18mm f/2.8 blends its extremely wide 99° angle of view with a high degree of functionality and it is extremely sharp all the way to the corners. The lens offers a 6.3 inch minimum focusing distance and a wider field of view for capturing more background, compared to longer focal-length macro lenses. The 10-18mm wide angle lens for Sony E-mount cameras The third wide angle Sony E-mount lens is the 10-18mm F4. This feature is turned on and off via a switch on the barrel. Take a look and choose the one you need! Excellent image quality, Cons Sony has two lens mount types: FE (full frame) and E (APS-C). Auto focus is smooth, face recognition works, picture detail is outstanding. Distinguished by its constant f/2.8 maximum aperture, the new Sony FE 16-35mm f/2.8 GM lens features exceptional corner-to-corner sharpness, with an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and delivers the ultimate resolution throughout the entire zoom and aperture range. The lens captured good levels of sharpness, giving its best results at f/8-11. This affordable Sony 85mm F1.8 FE lens features a compact, lightweight design for mobility, with high-performance optics and a large F1.8 maximum aperture that deliver outstanding image quality. In this article we will concentrate on native FE lenses for Sony E-mount mirrorless cameras (including full-frame and APS-C format E-mount cameras). The price for this lens is about 1,900 euros, so it’s not exactly a bargain. The 35mm focal length makes the Distagon T* FE 35mm F1.4 ZA an excellent choice for a wide range of photography, from snapshots and landscapes to indoor portraits and night scenes – producing beautiful bokeh through its bright 9- blade F1.4 aperture. Weighing in at a mere 8.4 oz., it’s extremely lightweight and portable, making it easy to carry around. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand. A good wide-angle lens is hard to find on the cheap, and if you do manage to find one, you want to make sure you’re not investing in something that’s going to break in just a few months. A fixed lens hood helps to protect the bulbous front element, and is complemented by a two-part cap. Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. The advanced optical design – including aspherical and “AA” (advanced spherical) lens elements combined with renowned ZEISS T* coating – deliver outstanding image resolution and suppresses reflections for superior contrast clarity. You can choose the one you need! Where To Buy. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this 14mm lens makes a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more.
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