Because of its heavier tone, it is most commonly used in rock and heavy metal music. The trouble is I think a lot of people that are using progressive tension are playing it in drop tunings and that make things even more troublesome. Be sure to give this video a thumbs up. Your fourth and fifth strings are, of course, just fine, but the sixth string is way, way, way down here in terms of tension and we’re talking about pounds tension versus the fifth string that it’s next to. D standard and Drop C PRS and G&L: 11 - 60 sets, D standard and Drop C Peavey Wolfgang: 11.5 - 56, D standard and Drop C Gibson Explorer: 13 - 68, B Baritone and Drop A Jackson USA Custom: 11 - 60, B Baritone (this axe has a Floyd - fun setting it up) Gibson V, Dean V: same as Les Pauls As you can tell i like heavier gauged strings, and i have found the Stringjoy strings to be well balanced, durable and great … Let’s see what happens when we take that down to drop D. Alright, so now you can see there’s a solid nine pounds of tension difference between that 42 and that 52. Same here. It’s not so bad. If you haven’t seen our last video where we talk about balance tension, that could be worthwhile to watch. Your email address will not be published. I've tried many different sets of strings for drop C and D standard and I find the D'Addario medium top/x-heavy bottom strings are the best because they provide enough tension when you want to chug in drop c but also are floppy enough at the top to be able to solo with ease: 11-14-19-32-44-56 level 1 Whether you’re going down to drop D full time or drop C, drop B, drop A, et cetera, these same principles are going to hold true for you. If you are looking for the best guitar strings for Drop C and Drop D tunings, you will want heavy gauges. i couldnt find the drop tuning one's on line, but i put in a link for ones that have a heavy gauge lower strings, and thinner higher strings. The first is that your 10 is going to sound very, very dinky next to a 52 or a 70 on the very bottom here. Tue, Jul 19, 2016 7:11pm. Best strings to use for Drop C#? Now, we’re going to get into a little bit of a frequently asked questions portion of this video. I’ll try to catch you up a little bit on them, but if anything’s confusing, I would check out our Balanced Tension Guitar String Video. - .015; 4 str. That’s a little bit better. The good news is that having that multi-scale guitar where you have the longer scale and the lower end strings is really just going to make an existing set of strings play all the better for you. I think I want to go with 120 - 90 - 70 - 50 for this particular tuning, but I want to see what everyone's input is. XLs are precision-wound with nickel-plated steel on a hex-shaped core, resulting in guitar strings with a distinctive, bright tone, and excellent intonation. String gauges: 1 str. Drop C tuning is an alternative guitar tuning where at least one string has been lowered to a C, but most commonly refers to CGCFAD, which can be described as D tuning with a 6th string dropped to C, or drop D tuning transposed down a whole step. I use a custom set: 11 15 19 30 42 56. But, again, what if you want to drop your seven string all the way down? I don't think it really matters what brand you get it from for a Drop C tuning (unless it's the DR Drop-Down brand for guitar). CGCFAD is the standard Drop D tuning only with all the strings tuned down an additional step. Heavy (thick) strings will help you to get the grizzly, lower tone. Well, the same principles are going to apply. This type of tuning is commonly associated with heavy metal (especially the lower tunings such as drop C and B), but lowering that bottom string gives you a deeper 6th string bass note which can also complement clean or acoustic playing. Gauges: 12-16-20-34-46-60 That lowest seven string is going to be not quite enough tension for you so we’re going to want to boost the gauge up. Hey guys, haven't posted on here in years. We’ll talk about why those are not necessarily the best idea. This is what we would call a much more balanced, from a tension perspective, set of strings for drop tuning. I do notice that the strings are very loose and flubby when I go into drop C tuning on the bass. You’d need a wound G string, High e would need to be a B string, because that’s what it’s tuned to in drop A. I was having the same problem with the Super Slinky's. Pickftw. I’ve measured some of them with calibers myself so I know a bit what they’re doing and frankly I don’t think they’re actually really doing what they say they’re doing when you look at the gauges that you’d actually need to truly get progressive tension across the whole set. We have 30, 40, and then a big old 60 on the bottom here. But on the low strings is where it’s really not good. First off, let’s take a look at what it’s like if you’re playing in drop D with a typical 10 to 46 set of strings. Now, that can be compensated for if you really want to play around with the pole pieces on your pickups or adjust everything there to make it fit a lot better. Are you a heavy metal guitar player, collector or enthusiast? Check out the Stringjoy Guitar String Tension Calculator. We’re at firstname.lastname@example.org. Now, you have this huge differential in gauge between that 80 on the seven string and that 52 on the six string. It’s going to take quite a bit of work on your nut to get it to work right. It just varies depending on how you are as a player. Ultimately the easiest thing for you to do is to just hit us up. All right. Let’s try a 58. If so, we hope you will register now and join our community! 54 is still going to have quite a bit of jump down in tension but it’s only about four pounds which is a lot better than nine pounds, or you can go all the way up to something like a 56 and get that quite a bit closer. Messages: 87 Likes Received: 1. My bands all play in Drop C and im sick of using the regular grade strings so what size is best for drop c on electric guitar? They are the best strings for metal and also the best strings for those low tunings, like Drop C. The Super Slinkys gauges are (9-42) It might take u some time to get used to the thickness of the 11's but you will get used to it fast. There are some guitar string tension calculators available online. You’d need a wound G string, High e would need to be a B string, because that’s what it’s tuned to in drop A. Let’s try a 74. I think you’d be in a much better circumstance if you better balance out the tension overall rather than ending up with these huge 7.4 or 7.2 pound differentials from one end of the string set to the other, these massive gauges on the bottom and then really dinky, smaller gauges on top. So I am looking into doing some drop C tuning stuff. The rest are alright. Again, I don’t need to probably show you how heavy we’d have to go to get it all the balance perfectly and explain why that’s going to be a little bit awkward since we already went through that. BEST STRINGS FOR DROP-C. Already, you have a lot less tension on the 52, even at standard. You can adjust for that with pickup configuration just the same as you would have to if you’re playing in regular drop D, but it’s going to take some work. In order to get progressive tension, we have to ratchet that up. One of the most common questions we get from players is what do you do when you have a multi-scale guitar? The .060 works well from C2 to D2 (a bit tight on the latter) I find, and the .012 goes up to D#4 pretty comfortably on 25.5". The rest are alright. Your Top Plain Steel Strings Questions, Answered. If you had a really, really wide multi-scale in terms of the difference between the highest string and the lowest string. Also, they can withstand the lower tunings. But if we go where we need to go to balance everything out a bit better, we would have to go all the way up to a 54 which would balance just right but, again, cause some issues for certain players. Now, what about if you’re playing in drop tunings on a seven string set? We got to jump all the way up to an 80. Stringjoy Guitar String Tension Calculator. It s best to use heavy-gauge strings when tuning this low. As you can see on here, the tension on the high strings isn’t great, we would typically use a 13 and a half there to balance that out a little bit better. Drop C Let’s say you play in totally different tunings or you have a number of different guitars with different scale lengths. Since this video went live we’ve released a new tool that you will love even better than the spreadsheet we use in the video. CGCFAD Resources Create Chord Sheets Chords . This is going to feel like a wet noodle. we're open & shipping orders // see current lead times // free shipping on orders $20+ details. If we’re going to play it on a seven string set, we’re going to have to go all the way to a 70 and we end up with an increasingly large differential in tension on these lower strings than on the top strings. For the best answers, search on this site https://shorturl.im/axrLP. If you do really, really want a very heavy bottom end there, you could go up to something like a 68 and that would get you a lot closer, but ultimately something like a 64 I think is going to get you most of the way there. D’Addario NYXL1156 Nickel Wound Electric Guitar Strings; 4. You just want a sixth string that’s going to feel just right for drop D. Again, as we can see that 46 is really not doing us many favors at all. If you’re going even lower, a drop 12s or a drop 13s can be great choices as well. Page 1 of 2 1 2 Next > s2c Member. Most guitar string sets are designed for standard tuning, so what do you do if you play in drop tunings? Let’s go with a 60. Ultimately, I recommend trying a few different options and seeing what works best for you. Are you really used to having that whole wet noodle feel on the lowest string when you’re downtuning? Contents. Personally, I like to go with a 54 or a 56. I've learned to accommodate for that. Let’s take a look at one example of what that would look like. We used to use the D'Adarrio 12-54's. What do you do if a 52, in this circumstance, is way too light next to a 30 and a 40 but a 60 that actually balances in terms of tension is going to way too big of a jump? Registration is free and easy. Subscribe for more covers/originals here http://bit.ly/2nrb7a5 Support the channel by becoming a Patron today! I have preference towards the bassier strings being tense (20+ lbs), maybe you'd like it too. Not there yet. I play Melodic Death Metal and I have my action set very low and the DDT's have an amazingly heavy/crunchy tone without sacrificing clarity or string tension. We went ahead and pulled that down from a 42. Vous pouvez modifier vos choix à tout moment dans vos paramètres de vie privée. Ultimately, you don’t have to do all this math for every single configuration that you want for your guitar. We used to use the D'Adarrio 12-54's. Just know that there’s a reason that we don’t think it’s necessarily the best move particularly for people that are downtuning or playing heavier riffs on guitar that require really, really low tunings or extended range guitars and all that sort of stuff. It’s literally having more tension on every string in the set than the last. They are usable in drop C as well if you are ok with a more slinky feel. 2. Have you experienced these problems before? Like (0) Dislike (0) gorsch wrote July 16, 2008 13:25. All right. Required fields are marked *. I have the DR DDT-12 (12-60) on my Ibanez-RG drop-C tuning. But ultimately we have the experience in balancing tonality and playability with the tension math and I think considering the fact that it doesn’t cost you anything, it makes sense to lean on us and let us help you find the perfect gauges for you. I find that to be a little bit funny. But I’ll just show you at least how much better going with the 64 would be if you’re playing in drop A next to that 48. On my EC1K I've got 10-52's and feel the 52 is a little lose. Then as you go up, 10.5s, 11, 11.5s, 12s, 13s, all of them will have a drop configuration that is basically balance for whatever you’re tuning in, tuning that six string down a whole step. But ultimately no matter what you do, it’s going to be a little bit awkward. Again, it’s not nearly as awkward of a transition from a 36 to a 50 as it is from a 36 to a 54. All rights reserved. That all depends on your style, preference and your guitar setup. We have a five and a half pound difference there. For our 10s, it’s just like this except we have a 13 and a half on that B string. String gauge for Drop C on Les Paul. You will probably want heavier gauge strings for drop tuning or metal music. As you can see, the tension matches up pretty closely, we’re within about one or two pounds ultimately between those wound strings. Similarly, if you’re a player that likes to play in 9s but likes to play full time in drop D or even drop C, we have drop 9s, drop 9 and a halves and drop 10s as well which can all be great choices there. 6 Strings: We recommend the Regular 6 set for tuning to standard, or up to a step down. CGCFAD is an excellent tuning for those who wish to play low heavy-metal or grunge riffs. That might become necessary. I play a mahogany RG (25.5) in drop C with 10-56 strings and the 6th string initially can go sharp maybe about 10-15 cents, depending on my picking attack that is. This is just standard seven string tuning that we have right here. This is why you get those sets of strings where everything is just really, really floppy. Where is that happy medium? Guys , from some time I have playing at 5 string bass with tuning C G C F AIS what will be the best string gauges ? It’s not going to feel too awkward and it’s going to help you hold tension down there and not feel like a floppy noodle. I'd get a 4 string if you can, and detune the E to a C, or change your 5 string to an EADGB, and detune to C. My two cents anyway. Thicker and harder strings are better to play Drop C. It’s not very good at all. First of all, having that big of a diameter jump between those two strings is going to feel a little bit unnatural for you as a player. Having a really, really big meaty sixth string can just feel a little bit weird when you’re coming to it from playing a fifth string that’s a lot lighter. It’s much more natural to have your plain strings have a really similar amount of tension and just be able to bend them all with the same amount of force than for them to have progressively more on each one where your G string is really hard to bend and your high E string, it’s super, super easy to bend. Like (0) Dislike (0) gorsch wrote July 16, 2008 13:25. I can't imagine playing drop C# with 10s, even skinny top heavy bottoms like 10-54. What do you do if you have particular needs? I play in Drop C for my band. Now, let’s go back to our 10 to 46 set real quick. Strings feel pretty rubbery/floppy and have trouble staying in tune. Joined: Oct 6, 2007 Messages: 120 Likes Received: 0 Trophy Points: 16 Location: Madeira - Portugal. I mainly play guitar but I have a bass I record with that I have not changed the strings in forever. Tuning from 7 to 1: CGCFA#DG. But that seven string is already really, really floppy straight from the shop. If you wanted the same "feel" (i.e. Let’s say you don’t really see any need to boost the gauge on the fourth and the fifth strings since you’re not changing the tuning on those strings. It sucked bigtime. It sounds a little floppy in whole flat (D standard), but manageable. OK. We have to go all the way to a 52 down here with a massive six pound tension differential than the first string. I think the most common one that I see is like a light top, heavy bottom, or a skinny top, heavy bottom set of strings, which typically goes 10, 13, 17, 30, 42, 52. There. It might feel a little bit floppier but it’s not going to be crazy floppy. Again, you’re about three pounds away. As you can see here, this gauge set of strings already takes this big jump from the fourth to the fifth string, it’s not a terrible jump, but it’s a bit of one, and then falls way off when it comes to that 52. All right. share. Jul 23, 2012. In this case, we have a 2.6 pound differential between that fifth and that sixth string. Jan 27, 2013 #1. It’s going to really help balance out that tension across that scale length. First off, let’s see, if we were only looking at the tension, just trying to balance everything out really, really evenly, what gauge of string you would want on that six string to match up with a 30 and a 40. That just barely made it above the 52. Discussion in 'Backline' started by s2c, Nov 26, 2007. I’m not sure where people got certain ideas from or what they’re basing them off of. Close, but not quite there. Subscribe to our channel so you can keep up with more great stuff in the future. The second problem is that you’re going to have a lot more volume on that string just because of the increased mass on the string. I highly recommend DR: Drop-Down Tuning electric guitar strings. D’Addario EJ16-10P Phosphor Bronze Acoustic Guitar Strings . That is far from good. Yahoo fait partie de Verizon Media. The trouble there is that a 60 is a way, way heavier gauge of string than the 40 that it’s next to. That worked great but the 12 was a little tight and they put in a plain 22 for the 3rd string which was weird, but you get used to it. We could do some things to try to patch this up a little bit, going with a 40 there would kind of smooth that slope down a little bit from the 30 to the 52, but ultimately this still is not a very great solution for playing in drop D. From looking at this, it seems obvious that a heavier gauge is going to be needed on the six string. My drop C string gauge is the D'Addario EXL 116 set which is 11-52. And you don't want that. I know Ernie Ball makes some strings especially for drop tunings. If compare to the classical guitar tuning, then the first five strings are per tone lower, the sixth is two tones lower. Learn how your comment data is processed. Today, we’re talking a little bit about how to pick the right string gauges for when you’re downtuning on your guitar. xtrustisyoursx, Aug 7, 2009 #10. evilmnky204 SS.org Regular. The trouble here ultimately is that we have way too large of a spread. I don’t really see the advantage of that. Be sure to subscribe to our YouTube channel to keep up with more great videos like this one: What’s up, everybody? Still sounds decent though. This poses two problems really. What I would generally look at in this circumstance is something like a 50. The question ultimately is how heavy of a gauge is it appropriate to put down on that six string in order to balance everything out. But I have no idea how bass string gauges go, or what gauge I currently have on my bass. You can just pick your top gauge like you normally would on a given set and pick one of our drop tuning tension sets of strings and it will be perfect for you. Then you just have a 28 and a 38 in the fourth and the fifth which is basically what you’d see in a typical medium set, a set of 11s for electric guitar. My opinion: probably go DR strings at a heavier gauge. We’ll go through a few of them in this video, things like progressive tension or things like which particular off the rack sets people usually recommend for drop tuning. Scales . But ultimately I think that you can do a little bit better to sit right in between those two. best strings for drop c? If you like a little bit more tension for drop C, our drop 11 and a halves can be awesome. I have had enough of tuning up after every song. Because of that, a lot of people, naturally, will use heavier gauge sets of strings. - .032; 6 str. Ultimately, I don’t believe that this is the solution. I’d be really careful what you read online about this stuff because there’s a lot of different things that don’t really work in practice. I once had a strat that i twisted the neck on accidentally, by leaving it out in a weird tuning BF#Bgbe (low to high) all the time. You’re still going to have to make a few adjustments depending on which of these options you go with. Découvrez comment nous utilisons vos informations dans notre Politique relative à la vie privée et notre Politique relative aux cookies. BEST STRINGS FOR DROP-C. 20 of the heaviest Drop C riffs! What Are Balanced Tension Guitar Strings? Ernie Ball Cobalt Not Even Slinky Set; 2. Oct 24, 2011 #11 Ernie Ball Beefy Slinky Nickel Wound Set; 1. Chords for CGCFAD × A A# B C. C# D D# E. F F# G G#. Right now, we have what is a typical set of 10s for seven string going with a 10 on top and a 56 on the bottom. This site uses Akismet to reduce spam. We talk about a few concepts in that one that continue through to this one. What do you think? My Advice 1. have a tech set it up for optimal conditions for drop c, and intonation. Let’s take a look. Right now I have this laid out in just standard tuning with an E at the bottom. Ultimately this can vary a bit from player to player. C Standard Fender Scale (Option A) – Not Even Slinky (12-56) Still feels slinky, but retains a good amount of tension. If you go with the 56, you might start to see some of that big volume disparity come into play. © 2014-2020 Stringjoy, LLC. Well, you watch this video, that’s what! Moreover, it’s just, in my experience, not going to play very evenly from string to string. Use of this site constitutes acceptance of our. In our chart right here, we’ve dialed in a progressive tension set starting with a 10 on top and our only rule was ensuring that we always had more tension on the next string in line than we had on the string before it. The other big problem is that as you continue to get lower and lower, the need to jump up in gauge becomes even higher. Same here. But for most all the ones that I’ve seen, it isn’t. 5. If you drop-tune the standard strings they will become loose and hard to play. On my EC1K I've got 10-52's and feel the 52 is a little lose. What string set is right for me? Fender Scale (Option B) – Beefy Slinky (11-54) For an even slinkier, looser feel. - .020 (without wound); 5 str. String gauges for Drop C So I'm shopping around for strings to take one of my basses to CGCF, and I'm planning on using D'addario pro steels. There’s a few problems with this. I think the best solution (and the one that I use for this very application) is tuning (low to high) G-C-G-C-F-A-D. That way you have your drop C stuff on the top 6 strings, and you have a normal 4th relationship on the bottom, which will make sense for patterns and theory stuff. The problem with this really comes into play when you’re looking at the actual volume and feel differences from string to string. Could anyone help with this? Circle K 'drop tune' sets are designed to have all strings at equal tension in a drop tuning, the lowest gauge is increased to compensate for the drop... vStandard Drop-tuned 4 Strings... or single strings of another brand with similar gauges to the CKs. One thing that I do think is a little bit troublesome is that a lot of the people that are selling progressive tension guitar string sets don’t actually even tell you what the gauges are that are in the sets. 25 comments. Nos partenaires et nous-mêmes stockerons et/ou utiliserons des informations concernant votre appareil, par l’intermédiaire de cookies et de technologies similaires, afin d’afficher des annonces et des contenus personnalisés, de mesurer les audiences et les contenus, d’obtenir des informations sur les audiences et à des fins de développement de produit. I think the best solution (and the one that I use for this very application) is tuning (low to high) G-C-G-C-F-A-D. That way you have your drop C stuff on the top 6 strings, and you have a normal 4th relationship on the bottom, which will make sense for patterns and theory stuff. I filled in with a metal band tuned to C. (not drop C) I play a 5, so I up tuned a half step, and it sucked. Pour autoriser Verizon Media et nos partenaires à traiter vos données personnelles, sélectionnez 'J'accepte' ou 'Gérer les paramètres' pour obtenir plus d’informations et pour gérer vos choix. I’m Scott from Stringjoy Guitar Strings. This is just for standard B to E regular seven string tuning. tension) on the same strings with a C-G-C-F tuning, here is what I would recommend: XLB050 F 0.050 42.4 XLB070 C 0.070 47.7 XLB090 G 0.090 43.2 XLB120 C 0.120 32.0 And yes, the low C string is going to feel a bit looser than the others. But I don’t want to go too much into that. - .008; 2 str. Recommended gauge strings for C standard and E standard Okay so I have two guitars at the moment, a Gibson SG Special with 9s, this is used mainly for clean sounds and never really goes out of E standard so there isn't a problem here however on my ESP EC-1000 I have 10s but when tuning to C standard the string tension feels too low but I still use this guitar in Eb standard and Eb drop D. It would be really floppy and nasty in drop C# (1.5 flat with 6th string drop), unless I was playing a fanned fret/multi-scale or a baritone guitar (26.5-27" scale). I think that’s the easiest thing you can do. Let’s say you want to play in drop A here. Again, we do have about a four pound differential, a little bit less there which isn’t ideal but it’s not bad. Another question we get a lot is about progressive tension. Related Products: 5. It's not the best for an acoustic guitar (or any guitar for that matter) to be left like dropped like that. Best bass string gauge for drop c# Discussion in 'Strings [BG]' started by Pickftw, Jan 27, 2013. I find it quite comfortable in Drop C or C# standard. Yup the treble side twisted up, go figure. For free we’ll gladly work with you to help dial in the perfect gauges for you for your particular set up. Gibson Scale – Not Even Slinky (12-56) Helpful for retaining proper tension with a shorter scale. I've tried many different sets of strings for drop C and D standard and I find the D'Addario medium top/x-heavy bottom strings are the best because they provide enough tension when you want to chug in drop c but also are floppy enough at the top to be able to solo with ease: 11-14-19-32-44-56 Here is a quick list of some of the best electric guitar strings for metal available in the market today. It goes from 12,16,20,34,46,60, lowest three strings being wound. As long as the gauge is heavy, because light gauges and dropped tunings cause buzzing strings and, if too light, just plain fret noise. This isn’t just having a little bit more tension on the wound strings and the plain strings like we typically recommend. Fender Stainless Steel 350’s; 3. Just got an Epiphone Bjorn Gelotte LP Custom and I've had it tuned down to Drop C for a couple weeks (Killswitch Engage and Pantera type riffs). In order to get more tension progressively as you go up your guitar, you end up having to use progressively heavier and heavier strings with larger and larger gaps between that gauge and the previous gauge which ends up giving you a rather unbalanced set of strings. Nope. - .010; 3 str. For this reason, our perfectly just standard seven string set in 10 is going to have a 48 and a 60 on it and that’s going to balance a lot better on the bottom end already. If you're going to play in drop C/B I would consider a guitar that is 25.5" or more honestly. I had this problem too. What that’s going to do is just make an existing set of strings work all the better for you. Your email address will not be published. As you can see, this set already stinks and the bottom end is okay from four through six. The idea behind progressive tension is that you have the lowest amount of tension on your highest pitch string and then every string after that always increases in tension down to the lowest string in the set having the most tension in the set. Typically, even with running the numbers, I don’t end up having to suggest that people with most multi-scale guitars have to make a big change in gauge. You’re going to find out the same thing that we found out with the typical set of 10s. If you’re playing in drop C, something like our drop 11s can be a really, really great option. If you go with the 54, you might ultimately feel that your string is still a little bit too floppy. Every gauge set of electric guitar strings on our site for our six-string electrics has one gauge option that is a drop tune set. We’ve used this very same logic in all of our drop tune sets. Most often, the dropped string is an octave lower than the 4th fattest string on your guitar (that's the D string in standard tuning). As we go down to drop A here on a seven string, you can see that 70 is now way below the 52. Let us know down in the comments. I did a quick Google search before I recorded this video to see what sort of other information was out there on the subject, and honestly, I found a ton of misinformation. Hey! Discussion in 'Backline' started by s2c, Nov 26, 2007. Drop Tuning Guitar Strings: What Gauges Are Best? My drop C string gauge is the D'Addario EXL 116 set which is 11-52. Informations sur votre appareil et sur votre connexion Internet, y compris votre adresse IP, Navigation et recherche lors de l’utilisation des sites Web et applications Verizon Media. This is not a wrong approach if you’re willing to make your guitar work for it. In the figure at the top of the page you can see the notes on the guitar fretboard with this tuning. This D'Addario electric guitar set is extra-heavy gauged and optimized for Drop C tuning. I believe this is the best (most balanced with suitable tension) string gauge combination for this tuning, i came to this conclusion after many months of experimentation, use of string tension calculators, and help from String Joy (a custom string company). My band play in drop C# and everytime I go to the local guitar store they seem to just make something up about how this gauge string is best or this one holds tune better and every time its either really slack or feels like im gonna snap by guitar. I apologize in advance for this being the billionth thread on this subject but what will the best string gauge be for drop c#? as I look to keep good tension to neck it should be something like 0.125 0.90 0.70 0.55 0.35 I also wondering if the better choices will not be 4 string bass in this case.
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